Monday, March 24, 2014

Superstar-Book 1: Chapter 1

Welcome all again...
This post is the beginning of a long form prose novel called "Superstar" that I started writing with my cousin Courtney back in 1996...so it's been a long time coming.
I'm going to post a chapter a week until the whole book is here on the blog. After that, I'll see about publishing the whole thing in one volume. Until then...Here...we...go!

Chapter 1 : Chicago, Ill  1993   Twist of Fate

            “Where is Lisa?”, Terry barked.
            “She’ll be here.” Groove said.
            Inside of a warehouse on 119th and Peoria, Avant Groove, a band founded by Terry Mosley, Eric ‘Groove’ Williams and Lisa Staples, were waiting to start rehearsal. The band formed in 1991 as a duo with Terry and Groove trading off on guitar, bass, drums and keyboards. Lisa joined the band when she asked them if she could sit in with them and play keyboards at a performance one night. She did so well, they immediately made her a member. By late ’91, the line-up expanded to include Robert Banks on bass, Wanda Washington on keyboards and Larry James on drums.
            After that, they started practicing in Groove’s parents’ basement. Before too long, Mrs. Williams, a very strong and beautiful black woman who always spoke her mind, insisted that the band find another venue to practice.
            Fortunately, Mr.Williams had just the place.
            He took Avant Groove to a warehouse that he owned. He usually rented out the space to companies that needed a place to store their equipment, but nobody had come forward and he needed tenants. The band saw the place and fell in love with it.
            After settling the particulars, Avant Groove came and made the warehouse their own: Risers for the drums and keyboards, furniture, space heaters and stands for the microphones and guitars. Groove asked a friend of his to do a mural on the wall. As the practice space began to take shape, the band started using it at least three times a week. The rehearsals began to be marked by a powerful rush of energy, an enthusiasm that came from being able to practice as long as they wanted, whenever they wanted.
            Terry started to come and practice on his own on the bands’ off days. Eric found out and he started coming, as did Lisa when she got wind of it. Soon enough, the whole band, by unspoken agreement, began to have rehearsals everyday at 8:00 am. As a result, they became a tight, very cohesive unit, able to play all kinds of music and stop and start on a dime. This came in very handy when they picked up a gig at a spot on 87th Street called the Spotlight. They were only supposed to play a two night stand there, but the owner was so impressed with them, he offered them a permanent position as the house band at the end of the first night.
            “Groove, she knows we have rehearsal everyday at 8 ‘o clock. Why can’t she be here on time?”
“She’ll be here, Terry, don’t worry about it.” Eric looked at his watch. “It’s only 8:02.”
            “Maybe it’s time for a new keyboard player.” Wanda, A.K.A. ‘Funky Fingers’ suggested.
            “Damn that.” Eric said. “Lisa may be a little late…”
            “…Consistently late.”
            “…But, she’ll be here.”
.           “Well, I hope it happens sometime before the next millennium.” Terry was about to give Wanda a piece of his mind, when he heard a voice say…
            “Awright, you muthafuckas can stop talkin’ about me, I’m here.”
            Lisa Staples, also called ‘Soft-Touch’ because of her penchant for caressing notes out of her instrument, was tall, caramel colored and curvy. She also had a fiery temper and could be brutally honest.
            “Gotta get up at 8 o’ clock in the goddamn mornin’ to practice.” She muttered. “I can play this shit in my sleep.”
            “Girl, stop complainin’ and get behind your keyboards.” Eric said. “And it’s nice of you to finally grace us with your presence today.”
            “Groove, don’t go there.” Lisa said as she stifled a yawn. “I’m down for my crew, but you know I ain’t no mornin’ person.”
            “Then you should tell yo man ‘No’ sometimes and get some sleep.” Rob added with a smile.
            “Nigga, you need to get some an’ give ya hand a rest.”
            “Whateva, money. I gets mine.”
            “Yeah, with Vaseline.” Terry quipped. Rob gave him the finger.
            “Y’know, Lisa, there’s this invention that’s all the rage called an alarm clock.” Wanda stated. “Maybe you should invest in one.”
            “Maybe you should invest yo wannabe-Whitney Houston ass in some Tylenol ‘cuz I’m ‘bout to…”
            “SHUT UP!”
            And they did. Everyone looked at Eric in shock. He didn’t raise his voice often, but when he did, everyone immediately paid attention.
            “Check it: I don’t care what kind of beef y’all got, but ya don’t bring that shit into rehearsal. We’re here to work. Y’all wanna fight, do that outside after we’re done.” Eric glared at Lisa and Wanda in turn. “Ya got that?”
            Lisa and Wanda assured him that they did.
            “Good. Terry?”
            “Alright…”, Terry began, “…Gimme ‘Groove’s Theory’ from the top.”
            “Wait a minute!” Wanda interrupted. “What time is the vocalist we’re “auditioning” supposed to be here?”
            Terry felt his blood pressure beginning to rise. Instead of losing his temper, he turned to Groove and asked, “What time is it?”
            “8:15.”
            “She’s supposed to be here at 9 o’clock. That gives us forty-five minutes to practice before she gets here. Is there anything else you need to know?”
            “No.”
            “You’re sure?”
            “Yeah.”
            “Then shut up.” He turned back to the group and repeated his request for ‘Groove’s Theory’ from the top.
            Eric laid down a funky guitar riff and one by one, the rest of Avant Groove joined him and soon the walls of the Warehouse shook with the melodic thunder of the tune. Like a well oiled machine, the band smoothly changed from ‘Groove’s Theory’ to an instrumental version of ‘Let’s Groove’, by Earth, Wind and Fire and finally, a scorching, guitar driven version of ‘Oye Como Va’ that would’ve made Carlos Santana jealous.
           Avant Groove were well known in the Chicago area especially for putting on a live show that rivaled any major label band that came through town. Despite all the local accolades, a record deal and major, broad spectrum success has eluded them and it was starting to wear on them. It seemed to bother Wanda the most. 
Over the past year, she’d started becoming a serious thorn in Terry and Eric’s sides. She snarked on their leadership, questioned every decision they made and had started to royally piss the entire band off.
            One day, when Eric, Lisa and Terry were hanging out at Evergreen Plaza, Lisa asked the burning question: “Why is she still in the group? There are other keyboardists that are more cooperative and way more talented who want in.”
            “She’s hungry.” Terry replied.
            “So are children in third world countries.”
            “Look…” Eric said, “…We know Wanda wants to go solo and blow up. That’s no secret. Right now, she knows her best chance of doing that is to stick with us. We need her, but she needs us too.”
            “Groove, the bitch needs a swift kick in the ass.” Lisa said.
            “Maybe so, but if we don’t make it, she won’t. We’ll be alright.”
            “Not if she keeps up this bullshit campaign. There won’t be a band if it doesn’t stop.”
            “We’ll get rid of her before that happens.” Terry assured her.
            “I hope so, Mr. Mosley”
            “We will, Miss Staples.” The subject was dropped and hadn’t been brought up since.
            Two weeks previous, the lead vocalist quit, citing artistic differences. (“The heifer had fuckin’ diva disease.” Lisa stated when she left.) Wanda wanted the job, but Eric and Terry both knew that her head would swell to the size of Jupiter if that happened. And so, they put an ad in all the local papers, hoping, praying that someone would respond and save them from the possibility of Wanda’s XXL sized ego getting stroked. Eric, for his part, sincerely hoped that Miss Dominique LaSalle could sing.


            “Here you go.” said the cabbie. He turned to look at his passenger, who was a joy to look at. She had cafĂ© au lait skin, deep brown eyes and a body that would make a rich man want to sell, sell, sell.
            “Is there something wrong?” She asked, raising a lovely eyebrow.
            “Naw. Just enjoying the view. What’s yer name?”
            Oh, boy, she thought to herself. “Dominique.”
            “Right. I’m Jim.” When Dom didn’t answer he continued, “Look, the fare’s nine seventy-five. I’ll knock it down to eight if you’ll gimme yer number.” Jim smiled, showing a set of yellowed, misshapen teeth. Dom shivered, whipped out a $10 and lunged out of the cab.
            Dom looked at the warehouse. It was brick and very solid looking, with barred and boarded windows that were painted blue. There were light posts on each side of the building and a set of skylights on the roof. Music faintly made its’ way to the outside world and she recognized the Santanna tune and heard someone killin’ on the guitar.
           
            Sound hit her like a tidal wave when she opened the door. Once she got over the shock of the music, Dom entered the warehouse. It smelled faintly of dust and old air, along with newer, lingering smells of food brought in that morning. The space was wide and tall, with fluorescent lamps hanging from the ceiling. The walls were decorated with posters of different music acts as well as some that advertised some of Avant Groove’s own shows. A mural of the band along with some song titles were on the far wall. Tables, chairs and a couple of sofas were off to Dom’s right. In the far left corner, there was what looked to be an office. In the middle of the space, Avant Groove were toiling away doing Carlos Santanna proud.
            Dom was impressed as she watched the band work. They made it look so easy to play such an intricate piece of music. Her gaze encompassed everyone, but her eyes kept being drawn back to the lead guitarist, a butterscotch toned brother, who was working his guitar into a frenzy. She was mesmerized by the sensual way he played, how his t-shirt clung to the wiry muscles of his body and the way his forearms rippled under his skin. Dom sighed, just enjoying the view when this butterscotch dreamboat decided to look up and promptly stole her heart away.


            Terry was in the middle of a solo when he saw the most beautiful woman in the world staring at him. Drowning deep brown eyes, golden brown skin and a presence that demanded attention hit Terry like a sledge hammer and almost made him forget what he was playing. He snapped back to reality and continued, but his concentration was definitely split between the music and the woman.
            The song ended with a rumble of drums and they mystery lady clapped and whistled her approval.
            Terry and Eric told the band to take a break and walked over to the young lady and introduced themselves.
            “You must be Dominique.” Eric said as he offered a hand. She took it.
            “Yes, I am.”
            “Wonderful. It’s good to meet you finally.”
            “Likewise. And who is this?”
            “This is Terry Mosely. Terry, this is Dominique LaSalle.” Terry offered his hand. Dominique took it and he felt a rush of electricity run through him.
            “Pleased to meet you.” He smiled.
            “The pleasure’s all mine.” Dom said as a smile lit her face. The handhold lingered and Terry started to feel warm inside.
            “How about we introduce you to the rest of the band?” Eric said with as he nudged Terry.
            “Uh, sure.” Terry reluctantly let go of Dom’s hand and shepherded her towards the band. “The man mountain behind the drums is Larry James. We affectionately call him ‘Earthquake’--”
            Larry, who was doing some high speed drum rolls, simply raised a drumstick in response.
            “--and the tall woman playing piano on his left is Lisa Staples, AKA ‘Soft-Touch.’--”
            “Whassup?”, Lisa said with a smile.
            “Hey.” Dom responded.
            “—the dark-skinned sista on the opposite side is Wanda Washington. She plays organ and--“ Terry chuckled ”—we call her Funky Fingers.” Wanda’s face went hard at the mention of her nickname and her voice was like steel when she said, “Hello.”
            “Okay, the brotha on the bass is…”
            “Robert Banks.” He cut in, doing his best Barry White impression. “You can call me ‘Booty-Bass.’”
            “And why is that?” Dom asked.
            Rob closed the distance between them and grabbed Dominique’s hand. Terry wanted to snatch it away. “Because my bass lines make the honeys shake their butts.”
            “Well, I’ll be sure to call them.” Dom said as she extracted her hand. She turned to Terry and asked him what his nickname was.
            “Apollo.”
            “Because his guitar playing is as bright as the sun and twice as hot.” Eric interjected.”
            “Somethin’ like that.” Terry blushed. Dom thought he had the cutest dimples.
            “Anyway, everybody calls Eric ‘Groove’ and together we’re Avant Groove, the baddest band on the planet.”
Dominique rested her weight on one hip, folded her arms, raised a pretty eyebrow and said, “You guys are serious aren’t you?”
            Terry and Eric looked at each other and said, “Yep.” Dom just shook her head.
            “Well, enough about us.” Eric said and led the way over to the couch. They all sat down. “What kind of music do you listen to, Dom?”
            “Lessee--Massive Attack, Fourplay, Chaka Khan, Minnie Ripperton, Prince, Tricky, The Family Stand and Aretha Franklin to name a few.”
            “Very nice.” Terry said. “Very eclectic.”
            “Thanks. I like variety.”
            Terry smiled. “How long have you been singing?”
            “All my life. I used to get on Ava’s nerves.”
            “Ava?” Eric asked. Terry briefly despaired of Lesbianism rearing its’ ugly head.
            “My mother.”
            “Oh.”
            “I used to sing in the choir at church and in different groups as I got older. There was usually some kind of drama goin’ on so I didn’t stay very long. The last group I was in tried to pull a Martha Wash and have me sing the vocals on a demo, but kick me out of the group before they got signed. Since then, I’ve stuck to Karaoke. I haven’t even tried to be in a group until now.”
            Eric nodded and looked at Terry. “What d’you think, Cuzzin’?”
            “Wait, are you two related?”
            “No. We’re like brothers, but we’re not related.” Terry explained.
            “Oh.”
            “I think it’s time to see what Miss Dominique can do.”
            “I agree.” Eric said. “How about you sing some Aretha for us?”
            “What song?” Dominique asked.
            “ ’Dr. Feelgood.’ ”
            “I thought you were gonna give me something hard.” Dominique shrugged off her jacket and walked towards the bandstand.
            “Can y’all give me ‘Dr. Feelgood’ in C?” She asked.
            “I can give you anything you want, sweetness.” Rob purred.
            “Just give me the song, thanks.” Lisa snickered. Rob gave her the finger. Dom looked back at Terry and Eric. “Are you two gonna play or what?”
            The both of them got up and strapped on their guitars.
            “I think we have our lead singer.” Terry said to Eric.
            “We’ll see.” Eric responded. “Set it off, Earthquake.”
            Larry locked onto a slow, swaying beat and the rest of the band flowed into place, filling the warehouse with the music of Aretha Franklin. Dominique began to sing and everyone was treated to a voice that was full, rich and summer warm. Her phrasing and execution were nearly perfect and emotion saturated every note she sang. She made it look very easy. Terry and Eric were grinning ear to ear and nodding their heads. They’d found their lead singer.
            With a flourish of notes, the song was over. Dominique opened her eyes and took a deep breath. Singing was as natural as the Sun rising for her, but stage fright was something she still struggled with. She turned to Terry and, with a shy grin asked what he thought.
            “You got it goin’ on, Dominique.”
            She winked and said, “You ain’t seen nothin’ yet.” Terry felt his heart flip-flop in his chest.
            “Well, silky, silky now.” Eric exclaimed with a smile. He turned towards the rest of the band. “I don’t know about y’all, but I think we’ve found our lead singer.”
            “You know that’s right.” Lisa agreed. “Girl, you was sangin’.”
            “Thank you.” Dominique blushed. Terry thought she looked lovely when she blushed.
            “You all kinds of fine and you can sing like dat? I just met my future wife,” Rob stated.
            “I don’t think so.” Dom grinned.
            “Aww, baby. Why you gotta break a brotha’s heart like dat?”
            “You gotta have a heart to break first.” Lisa interjected.
            “Kiss my ass.”
            “Not in a skillion years, brothaman.”
            “Anyway--,” Eric interrupted, “—is Dominique in?”
            Everyone agreed that Dominique was in. Well, almost everyone…
            “I think she should sing one more song.” Wanda said. Everyone looked at her like she’d lost her mind.
            “You’re outvoted five to one.” Terry said with a hint of satisfaction in his voice. He turned to Dominique. “If you want it, you’re our new lead vocalist.”
            “Yes! Yes!” she squealed and threw herself into Terry’s arms. He was caught off guard and held onto her to keep from falling over. Once he got over that, he started to enjoy the feel of Dominique pressed against him. She felt so resilient and warm; her perfume intoxicated and excited him. He was also a little embarrassed to find that a certain part of him was standing at attention, but from the way she held on to him, he gathered she didn’t mind at all.
            Finally, they broke the embrace and looked into each other’s eyes. Up close, Dom noticed that Terry’s eyes were a pretty shade of gray. She wanted to say something, but her brain was having trouble making her mouth work. She was enthralled and, from what she could see, so was Terry. Everything around them disappeared and for a brief moment, they were the only people in the world; the universe collapsed down to a singularity where their bodies, their souls were joined as one.
            “Ahem.”
            “Oh.” Terry snapped back to reality and reluctantly let Dominique go. “Um--congratulations, Dominique.”
            “Thanks. You can call me Dom.”
            “Dom it is then.”
            “Terry, why don’t you get our concert music for Dom?” Eric asked, smiling.
            “Yeah, give the girl a chance to breathe.” Lisa teased.
            “Both a’ y’all, shut the hell up.” Terry shot back. “Come with me, Dom.”
            “Gladly.” She said, watching the play of muscles beneath his clothing. “But, that could get a little messy, though.”
            “Not if we bring a towel.”
            Dom chuckled and Terry blushed. He was glad Dom wasn’t above a little flirting or offended by a double entendre. They walked over to the break area. Terry grabbed two tapes that were on the table and handed them to Dom.
            “Here you go. We have rehearsals six days a week, but since we don’t want to burn out your voice, you can come on Mondays, Wednesdays and Fridays. Practice on Friday’s will be short so you won’t strain your voice before we perform that night. Any questions?”
            “Yeah. Why practice six days a week?”
            “So when our break comes, we’ll be ready.”
            “Won’t y’all get burnt out?”
            “I can’t speak for everyone, but I’ll never get tired of playing music. Not at all.”
            Dominique looked in his eyes and saw the fire, the passion for making music lighting them and she knew he was telling the truth.
            “I don’t doubt that for a minute, Terry.”
            “Cool. Anything else?”
            Dom shook her head. “Just be here tomorrow at eight, right?”
            “Yeah. We’ll get you up to speed, but it wouldn’t hurt to start listening to the tapes.”
            “Sounds like a plan.” Dom said and extended her hand. Terry took and it and looked deeply into her eyes. The world fell away again and the both of them were smiling ear to ear.
            “See you tomorrow?” Dom asked.
            “You bet.” Terry answered.

            Hesitantly, they released each other’s hands. Dom waved goodbye to everyone and grabbed her jacket. As she opened the door, Dom looked back to see if Terry was watching her. He was. She smiled and winked at him and stepped out. The second the door closed, Dom let out the loudest scream and danced and jumped around. I got the job! I’m singing lead in a band! She thought wildly. Her dream of becoming a singer was about to come true. And having Terry, that butterscotch caramel dream of a man, beside her would be a very pleasant bonus 

(c) 2014 W.L. Sherrod & Courtney Sherrod 


Tuesday, March 18, 2014

My Stuff-Howard High: Intro Jam


I recently cleaned out a box full of stuff in an effort to streamline and throw out stuff we don't need in the house and ran across this comic strip that I started drawing years ago. I was surprised a how good it was so I thought, why not put it up on the blog? Let me know what you think by dropping a comment at wesleylsherrod@gmail.com. Enjoy!







(c) 2014 W.L. Sherrod 




Monday, November 18, 2013

My Opinion- Agents of S.H.I.E.L.D.

Joss Whedon has done it again.
Agents of S.H.I.E.L.D. is a bonafide hit. I've watched every episode and I love the characters and the premise of the show, which focuses on the more human side of the Marvel Universe, the way the Marvel One-Shots do. 
For some folks, that's not quite enough.
I've heard complaints that there aren't enough appearances from the Marvel U, that the show is too disconnected from it. Basically, saying it doesn't feel like a Marvel show.
First, it IS a Marvel show, run by the guy who brought us Buffy, Angel, Firefly, Serenity and wrote and directed a little blockbuster called the Avengers. Joss Whedon knows how to tell a story and run a TV show; His body of work shows this. Every episode so far has been solid, well paced, self contained and exciting. This Tuesday's episode is going to pick up where Thor: The Dark World leaves off and explore how it affects the world and Agent Coulson's team. I, and a few million people willingly follow where he leads and Joss and Company hasn't  led us wrong yet.
Secondly, the show is called AGENTS of S.H.I.E.L.D. It's focusing on Agent Coulson and his team dealing with the weirdness of the Marvel Universe, and the fallout from the Avengers film. It's not about a team of superheroes, but a team of ordinary people facing impossible situations and relying on their wits and courage to overcome them. That's makes them Big Damn Heroes in my book and more interesting to watch. Now, some people will point to the CW's Arrow and mention how Black Canary and  Deadshot have appeared on the show, but, again, Arrow is about Oliver Queen, who is considered a superhero, Agents of S.H.I.E.L.D. is not. Besides, Colbie Smolders and Samuel L. Jackson have both had cameos on the show. Would it be cool if Marvel heroes made appearances on the show? Yes, it would. But, who's to say they don't already have that in the works? There was a recent announcement that  Netflix will have four Marvel heroes, one of them Daredevil, in a miniseries on the network. What if they preview that or all of them by tying into an episode of AOS? Just sayin'...
Ultimately, AOS works. I don't see anything wrong with how Joss and Co. are producing the show and they're bringing the goods every week. Agents Coulson, May, Skye, Fitz, Simmons and Ward keep me coming back every week because we learn more about them and the cinematic world of the Marvel Universe they live in...And I wanna find out just how Colson came back from the dead..



                                                                Agent Coulson and the Agents of S.H.I.E.L.D.




                                                     Clark Gregg as Agent Phil Coulson


                                                                            


                                                                          Ming-Na Wen as Agent Melinda May



                                                                                  Brett Dalton as Agent Ward



                                                          Iain De Caestecker and Elizabeth Henstridge as Agents Fitz &

                                                                                                     Simmons



                                                                                      Chloe Bennett as Skye


                                                                           

Friday, September 6, 2013

Excerpts From Facets: The Living Years

Hello, all...
This is another story starring Dominique LaSalle, who was in another story in Facets called Reunion. TLY picks up some time after Reunion, say six months to a year later and Dom finally deals with all the unfinished business between her and her mother, Ava.
I hope you enjoy this sample and click here to find out what happens...


Ava’s dead.
            I thought I’d be celebrating when that finally happened. After everything that happened between us, after all the crap she put me through, her death touched me a lot deeper than I thought it would.
            My name is Dominique LaSalle-Shields and I make music for a living. I’ve sold millions of albums worldwide, toured around the world and won many awards. I’m married to a wonderful man, Kevin, who’s a veteran in the music industry himself and, fortunately, my producer. I’ve been very fortunate in my career and my life. As nice as all of that is, none of it will bring Ava back.
            The news of her passing came from her second husband, Carl. This meant that I had another stepparent, which didn’t faze me at all. (My dad had already remarried.) I was surprised that Ava hadn’t done it sooner, since she’d always needed a man around. There was something I didn’t know about my new step-dad though:
            “He’s Terry’s father?” Kevin asked.
            “Yep. Somehow, he and Ava hooked up and got married,” I shook my head. “I swear, the man’s been dead for seven years and our lives still get tangled up.”
Kevin and I were in the kitchen. I can cook, but he’s better at it than I am so I usually step aside and let him do his thing. It was a beautiful, sun drenched day with a lightly salty breeze that wafted in from the ocean. Usually, I loved days like this, but, I couldn’t get into it.
“Well, I’m thankful he’s not here to do the actual tangling. We both know how well that worked out.”
            “Too true,” I agreed and drank some juice.
            Who’s Terry, you ask? Terry Mosley and I were in a band called Avant Groove in Chicago around 1993. We were in love. It all came apart when I got signed to a record deal and moved to L.A. He couldn’t let us go, so he followed me out here. It was blind, dumb luck that he hooked up with one of my back-up singers and walked back into my life. This led to an affair that almost ruined my marriage and nearly ended my life. After that, I tried to forget about what happened and put all of that behind me. Fate, it seemed, didn’t want me to forget.
 “At least they didn’t get married while you and Terry were together--” Kevin noted, “--Then it would’ve been a black version of ‘Say It Isn’t So’.
            I smiled sweetly. “Honey, if you want me to ration the passion to you, keep up the jokes.”
            “What else did Carl say?” Kevin asked. I grinned at his deft changing of the subject.
            “He said that Ava had something for me and he was to put it directly into my hands,” I shrugged. “The last time I saw Ava, I paid off the house note as a peace offering. It didn’t work. She still treated me like crap.”
            “Why would she be that way with her only child?”
            “Hell, I don’t know. It was like my birth somehow fucked up her life beyond all reason.”
            Kevin shook his head and asked. “Are you going to Chicago?”
            “Ava may’ve gotten on my last nerve, but it was her last wish. I should honor that I guess.”
            “You want me to come with you?”
            I so wanted him to. Ava may’ve been dead, but I was real nervous about what Carl was going to give me. For all I knew, it could be a mountain of debt willed directly to me, or something like that. Even so, I had to go and put it all away.

            “No. You stay here and take care of business,” I said as I kissed him. “I’ll go and see what Ava has up her sleeve.” 

Saturday, May 25, 2013

Excerpts from Facets: Requiem


Welcome all again...
I'm enjoying sharing little pieces of my debut novel, Facets and from the page views, I'm guessing that people besides me are liking them as well. Here is another sample called Requiem, a tale about self-hatred, regret, the possibility of redemption and the enduring power of love...



Thanks for reading... Follow me on Twitter and Like me on Facebook! Check out previous chapters of Superstar and samples of my first novel, Facets: Stories of the Mundane and the Weird, here on the blog. Facets is available on the Kindle Market!


Piano. Music. Beautiful piano music. But, I didn’t turn on a radio before I went to sleep. Actually, I don’t know that for sure. I was hammered before I went to sleep. It sounded like it was coming from downstairs, so I staggered to the basement door and opened it. The music washed over me and brought a tear to my eyes. The style reminded me of Bill Evans with a harder edge. I carefully negotiated the stairs and saw who was playing. I had to admit, for a dead man he looked pretty good.
“I bet you’re wondering why I’m here,” Terry said as he continued to play.
“Yeah.”
He stopped and smiled at me. My stomach twisted into fearful knots.
“Don’t worry. I’m not here to hurt you or anything like that,” He said. “Just here to talk.”
“That should be a little hard seeing as how you’re dead.”
“No worries, Dad. You’re asleep. Anything can happen in a dream.”
“Obviously,” I sat down on a crate. “I gotta stop drinkin’ that cheap scotch.”
“Drinkin’ your problems away, huh?” Terry grinned. “Some things never change.”
“Excuse me?”
“Dad, let’s be honest: You always drank a lot and often. It started after Mom died and you hadn’t stopped when you threw me out, right?” Terry said as he gazed into my eyes.
“No, I didn’t.”
“You treated Mom like shit, when all she wanted was to make you happy, and do we have to go into the whole jealousy thing where I’m concerned?”
“Now, hold on a minute,” I snapped as I stood up and stormed over to Terry. “I treated your mother well. I loved her more than my own life and I was never jealous of you!”
“Then explain why Mom ran out of the house and drove herself into an accident and I ended up living with Eric most of my high school years because I broke the no-music-in-the-house rule.”
Okay. I guess he was right.
“You know I’m right. I don’t know why you even acted like I was lying to you.”
“How did you--?”
“It’s a dream, remember?”
“Right.”
“Dad—“, Terry began, “—why were you jealous of me? It’s not like you couldn’t do what I was doing.”
I sank down onto the piano bench next to Terry. “I couldn’t, Terry. My hands didn’t work.”
“They did. They do. Maybe not as well as before, but you can still play.” He stood up and left me on the bench by myself. I looked at the keyboard in front of me and felt my heart turn to ice.
Once upon a time, I could make the music flow out as my hands flew over the keys. People used to dance, used to clap and shout when I played and I missed that. I so desperately wanted to do that again, but I was afraid that I wouldn’t be able to, that my chance had passed me by and that part of my life was over.
“I can’t.”
“Yeah, you can,” Terry responded. “I heard you playing the last time I was here. In fact I asked you if the song was one of yours.”
I grinned. “I remember.”
“You could play then; why not now?”
“I’m scared.”
“Of what?” Terry asked.
“Of failing.”
“The only way you’ll fail—,” A new voice that I instantly recognized said, “—is if you stop trying.”
I turned towards the stairs and I was speechless. I couldn’t say or do anything but stare.
Terry grinned and said, “Hi, Ma.”
She walked up to the piano from the stairway. My mind recalled seeing her for the first time, a vision in bellbottoms, a clingy polyester shirt, a soft, full afro and warm, caramel-colored skin. In the here and now, she wore a simple white cotton sundress that caressed all the curves I remembered, straight black hair and a smile that radiated the light of Heaven. I reacted now, the same way I reacted then: I was struck dumb, spellbound and speechless.
“Hello, Carl,” Belinda said to me.


Wednesday, May 22, 2013

Excerpts from Facets: Revelations

Question:
What would you do if  somebody came up to you and said they knew something about your spouse or significant other. Something that wasn't good? Would you dismiss them or would curiosity get the best of you? The idiom states, "What you don't know won't hurt you." Greg Watson will find out one way or the other...


It was about 11 a.m. when I got the call at work. I didn’t recognize the voice, but he asked me to meet him at LaStrada on Randolph and Michigan for lunch. I asked him why and he said it had to do with Melinda.
“What’s the matter with her?” I asked.
“I’ll tell you when I see you at one o’ clock.” The line went dead. I stewed for a minute, wondering who this punk-ass was and what he knew about Melinda.
At one o’ clock sharp, I walked into LaStrada and had a seat at the bar. I looked around at the beige walls, with dark stained wood, warm lighting and a spacious, yet cozy dining area. I’d never been in there before, but I liked it.
The bartender brought me a drink. He must’ve been one of Kenny Kingston’s psychics, ‘cuz I hadn’t ordered a drink yet.
“What’s this?” I asked.
“A drink,” he said as he started wiping a glass.
“I know, but I didn’t order one.”
“I know. The gentleman behind you ordered it as you came in.” I turned around and came face to face with a light skinned brotha with shoulder length dreadlocks and wearing a cream colored shirt with blue jeans. He had Birkenstock sandals on his feet and a cool, almost arrogant, stride. The muthafukca looked like Eric Benet and I already hated him.
“How you doin’?” he asked. “You drink gimlets, right?”
“Yeah,” I said uneasily. I sipped the drink and it was a gimlet; straight up, heavy lime juice. Just the way I liked them. “How did you know what I drink?”
“I waited on you at the Signature Room not too long ago.”
“But the last time I went was with…”
“Your wife.”
“Yeah.”
“Come on,” he said and strolled towards the dining area. “I have a table reserved for us. We need to talk.” I watched him walk away, confidence personified and so damn perfect looking. I wanted to curse him and throw my drink at his head, but he knew something about Melinda. That had me worried. I wondered what a complete stranger knew about my wife that I didn’t know.

To find out more, pick up a copy of Facets: Stories of the Mundane and the Weird available on the Kindle Store at Amazon.com

Wednesday, May 1, 2013

My Creative Yodas...Chris Claremont

One thing's for sure, from the writing, you can always tell when it's a Chris Claremont story.
I became familiar with Mr. Claremont's work with Uncanny X-Men #129,  the issue that introduced the world to Kitty Pryde and the Hellfire Club. Over the next eight issues, he led us through the story arc that reached it's climax in issue #137 with the death of Jean Grey and became known as the Dark Phoenix Saga, which is still one of the most popular X-Men stories along with the Days of Future Past, that Claremont also authored.
The wonderful thing about Mr. Claremont's writing is that he makes you care very deeply for the characters and the worlds they inhabit. The stakes are always raised and the characters are changed after the story is over. It's not some stock threat that the characters would stop and the Status Quo would remain, there are consequences to peoples actions and decisions.
And his dialogue is very unique in word choice and cadance. Nobody's Wolverine sounds like Chris Claremont's. Or his Storm, Professor X, Cyclops, Nightcrawler...the list goes on.
There's also the fact that he brought a real literary sense to comics with the way he wrote the Uncanny X-Men. He used foreshadowing, cliffhangers, red herrings and the like to make the stories more suspensful and make comics more credible as a form of literature.
Chris Claremont was born on November 25th, 1950 in London, England and moved to America in 1953 where they settled in Long Island. Growing up, he read Dan Dare and Robert Heinlein, as well as Rudyard Kipling and C.S. Forester.
As an undergraduate at Bard College, Claremont studied Political Science and Drama and wrote prose and plays with the intent of becoming a director. In 1969, he was hired at Marvel Comics as a gofer/editorial assistant to Roy Thomas. Claremont received his first professional credit with a plot assist on X-Men #59 and his first scripting assignment three years later on Daredevil #102. In 1974, he got his first regular writing assignment on Iron Fist with John Byrne as the artist.
A year later, Claremont became a full-time editor, leaving acting far behind, and was given the assignment to write the Uncanny X-Men book that Len Wein and Dave Cockrum created. It was a low performing, not-so-popular book at the time  so nobody was trying to jockey for the chance to write it.
When Giant Sized X-Men #1 hit the stands it served as the template for a new, more diverse roster of Professor X's team and a chance for Claremont to define the direction of the book. He co-wrote issues #94 and #95 with Wein and took over as the regular writer in issue #96. After that, there was no going back.
For 17 years straight, not missing an issue, including annuals, specials and guest appearances in other books, Claremont chronicled the adventures of the Uncanny X-Men. He killed Jean Grey and brought her back, grew Wolverine from a one dimensional killing machine to a multifaceted and complex mainstay of the team. Storm evolved into the leader and woman she is now and showed us the bittersweet, tangled road of first love with Kitty and Colossus. He introduced Rogue in Avengers Annual #10, made her part of the team in issue #171, brought us the Brood in issue #155 along with many other memorable story moments throughout his tenure. He capped it off with starting a second X-Men book, simply called X-Men, and gave us one last twist with Moira MacTaggert manipulating Magneto's genetic matrix when he was a baby after he encountered the Stranger.
Putting it succinctly, Chris Claremont defined the X-Men along with a slew of great artists like John Byrne, Dave Cockrum, Paul Smith, John Romita Jr., Michael Golden, Brent Anderson, Leinil Yu and many others. He also brilliantly folded the Civil Rights struggle into his stories since mutants as a whole were seen as dangerous outsiders by regular baseline humans, which was and is analogous to how Non-White races have been and are regarded the world over.
Sadly, Claremont isn't writing any new comic material, but, Black Dragon and Marada, The She-Wolf are being re-released by Titan Publishing, he's releasing First Flight digitally along with his novel with Beth Fleisher, Dragon Moon. He has a short story in the new John Carter of Mars collection called Under the Moons of Mars: New Adventures on Barsoom and is currently working on a dark Fantasy Novel set in New Orleans, according to Newsrama and shopping around a YA novel and putting the finishing touches on a Mystery/Suspense novel according to Robot6 on Comic Book Resources.
What makes Chris Claremont one of my favorite Personal Yodas is that he showed me the power of Family, the beauty of integrity and self-worth and the wisdom of always, always giving your best, not matter the cost, regardless of the odds. His work shaped a lot of how I viewed the world when I was a teenager and he made me want to create stories and characters of my own and try to impart the sense of wonder and peril and straight up fun I had reading his stories.
Columbia University recently started archiving all of his old manuscripts and articles and plays to start a study of comics literature. If I have the same honor as that in my writing career, I will be a very happy man to be in such august company.




Christopher S. Claremont 

What follows is a smattering of Mr. Claremont's Graphic and Prose work... 
























The original covers to the High Frontier Trilogy...




...And the covers for the digital re-releases




Claremont's collaborations with George Lucas set in the Willow Universe...



The Cover to the Under the Moons of Mars Collection